Tuesday, June 30, 2020

Elijah-io for (melon) seeds


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© 2020 h2omeloncholy@blogspot.com
© 2020 KM Fikes


Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.

Samuel Barber's 
Adagio for Strings

*copyright may apply*



"I'm different"


a clever as compassionate critique 
on the implausibility 
of POSTness


© 2020 KM Fikes 
© 2020 h2omeloncholy@blogspot.com 

Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.

Friday, June 5, 2020

doughnut CRUMBS with H2Omelon seed sprinkles



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© 2020 h2omeloncholy@blogspot.com
© 2020 KM Fikes


Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.


Image Credit: mellomelon.co.uk/watermelon-doughnuts



Ambiguity abounds RE: whether or not the protests = a societal reformation.  Been here before.  Too oft.  What is required for substantial structural change would upend America's very idea of itself.  The pipe of privilege is an addiction and no protesting 'intervention' can save an addict until they hit their own bottom.  With the stock market rebounding - the pulse o' the US 'body' politic?  'Bottom', it ain't.  Only at bottom, where privilege is a peril, can the addict own its addiction.  Amy Cooper - dog-less, jobless - is one social-mediated anomaly.  A peek at the possibility of bottom.  But not one minute before a collective bottom - a visceral communal reckoning where privilege is released to convulsing, sweating, heart-palpitating withdrawal, can America show up in the otherwise-abandoned church basement - terrified for the moment when they must introduce themself to the other chain-smoking colonizers formally from some G-Numbered Summit: 


PALE SPRINKLES:
A Scene Sans An Act

U. S.:      "Hi. My name is United S."  

WORLD: "Hi, United S."

U. S.:      "When I was 'using', they called me YOU...S.  So uh...please call me: 'YOU...My 
                name is YOU S.  And I'm complicit/compliant with white supremacy.  I've been 
               'sober' now for uh...ten days and two hours (May 25, Memorial Day, i. e., George 
                Floyd's documented murder.  Not the murder now, but the documentation of it 
                that no longer allows me the rush n' crash of empty-calorie 'allyship' nor the 
                sugar-coated lenses of rose melon-colored glasses tinting my 'white gaze')."

Followed by awkward masked nods, seated in a socially-distanced round.  Behind them, a wobbly-legged card table that would normally host doughnuts dry as stale. With sprinkles pale.


END of Act-less Scene



a clever as compassionate critique 
on the implausibility 
of POSTness


© 2020 KM Fikes 
© 2020 h2omeloncholy@blogspot.com 

Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.

Sunday, May 31, 2020

One Thousand & One H2Omelon-Seedy Nights

VOGUE copyright Conde Nast
© 2020 h2omeloncholy@blogspot.com
© 2020 KM Fikes


Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.


Warning: 
The following image may be deemed unsuitable for most audiences; this blog categorizes it as privileged perversion of both Black Trauma Porn & child exploitation.

Democratic U.S. presidential candidate and former U.S. Vice President Joe Biden visits a site of the protest over the death of George Floyd in Minneapolis police custody, in Wilmington.
Image Credit: Reuters via Biden Campaign


SHYLOCK: ('Looted') MERCHANT of MINNEAPOLIS 
          {neck...knees...last breath...}














Enter a {Public}Servant {in the guise of CAMPAIGN PHOTO OP *}
Shakespeare, Merchant of Venice,  Act III, Scene 1


* Too soon after Breakfast Club condescension and frankly:
- '05 credit card co. cozying 
- '02 Iraq vote
- '94 Crime Bill  
- '91 Hill hearing/Thomas confirmation
- '75 Busing vote  
Just too soon, Joe.  One thousand AND ONE nights.  That night lands on Tuesday, November 3, '20.  Not a day before tho'.  Not ONE.  We shall vote, aye.  We shall vote fo' the survival of this species.  Now, howeva, we rage.  We grieve.  We insist upon our grief free from thy gaffe. * 



a clever as compassionate critique 
on the implausibility 
of POSTness


© 2020 KM Fikes 
© 2020 h2omeloncholy@blogspot.com 

Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.

Wednesday, May 27, 2020

that wears the crown

VOGUE copyright Conde Nast
© 2020 h2omeloncholy@blogspot.com
© 2020 KM Fikes


Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.


Corona defined: Latin for "crown" or garland of 'supremacy'.

Under a microscope, the 'spikes' of Corona virus reminded some scientist of a crown.  Hence the name.

Shakespeare, Henry IV, Part 2, Act 3, scene 1: 
“uneasy lies the head that wears the crown"

Coronavirus surviver describes the acute respiratory distress thus: "an anvil on your chest".


Please, please, please...I can't breathe, please, sir.

George Floyd's final words upon death by anvil on your chest knee upon his neck. One (unmasked) officer's knee that does not release until the ambulance arrives minutes after the paramedic's assessment.  Knee choking Floyd, the officer's hands remain in his pockets with sunglasses unflappably poised or 'crowning' his head. Three other (unmasked) police stand by, passing nine and a half minutes, as 'audience' - or Afro-Greek tragedian chorus - pleads for any form of 'ventilating' intervention on a Minneapolis street. 

May 25(Memorial Day), 2020: 
upon the week that the US begins to...'open up'...again...for bidness as usual.

I can't breathe...I can't breathe...

July 14(French Bastille or 'Freedom' Day), 2014.  Eric Garner's last utterance.  A street in Verona on Staton Island. 


*Shakespeare, Romeo & Juliet, Act 3, scene 1

Ramsey Orta filmed Garner's death.





a clever as compassionate critique 
on the implausibility 
of POSTness


© 2020 KM Fikes 
© 2020 h2omeloncholy@blogspot.com 

Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.


Wednesday, March 4, 2020

catching H2Omelon seeds with teeth

VOGUE copyright Conde Nast
© 2020 h2omeloncholy@blogspot.com
© 2020 KM Fikes


Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.

The following is an absurdist exercise in film criticism.  The reader - ever an appreciated accomplice in this perpetual surrealist e-performance art 'action' - is asked to read in the same vein that one might peruse a movie review.


© 1985  Motown

Suddenly dawns on one - lo these years passed - that the singular most revolutionary art piece that one hath e'er beheld is the B movie, camp classic, daresay, cult status-ed, Berry Gordy's The Last Dragon.

Note: Left brain; right brain.  Then that amorphous region scraping remnant scales from our reptilian ‘tale’.  Last Dragon is a Pandora-ean box-ed ‘treasure’ trove of cultural appropriation —  pirated, sunk, waterlogged looted.  Avoiding decompression ills, one should pen that critique once present absurdity ascends slowly up, breaking REM’s surface to press its snooze button.  Still, lest one be derelict in Asian allyship, any filmic fawning here is surrealistically sardonic at best.  Or worst.  Whilst reading, if teeth begin to clinch or a jaw lock, may chompers at least remain rooted.  Or as safe as responsible firearms.  Ah, conscientious violence.

To it, shall we?

C. Columbus had the navigation skills of that friend who drinks too much so one is vigilant to grab their car keys.  Erstwhile, Pacific Islanders 'explored' the high seas - traveling vast distances that Columbum could scant imagine - thru their intimacy with astronomy and impeccable observance of waves' moods.  Voyages of Hōkūleʻa ("Happy Star") have recently relied upon this traditional Polynesian 'wayfinding'. The organic predecessor to GPS manages to avoid any cellular radiation.

All's well.  Until a certain man's bullet.  Not the man, now.  But his bullet.

From the Incan to the Egyptian - pyramids!

All's well.  Until a certain man's bullet.  Not the man, now.  But his bullet.

Indigenous tribes of North America sipped tea that was the preventative for a 'host' of illnesses (other than C. C.'s syphilis or smallpox).  Responsibly stewarding this medicinal plant within the bosom of Mama Earth's resilience, Her abundance was honored rather than assumed.  Seven Generations eschewing pharmaceutical cooperate boon...doggles, First Peoples naturally harvested Medicare for All. No leaf nor branch was incidental — whether cultivated directly for healing human form or extending traditional Native ethos to Earth's body — intentionally as intuitively practicing cultural burning to seasonally relate to 'wild' fire as restorative rather than destructive.  

All's well.  Until a certain man's bullet.  Not the man, now.  But his bullet.

Whilst a certain man emerged from his cave, rubbing two sticks for fire, technology abounded on continents yet colonized.  In some of these civilizations, women were warriors and men could inhabit/exhibit both genders.  The untold had been contemplated and/or invented and implemented.  Except a cohesive instrument of annihilation.  Otherwise 'advanced', a specific apparatus to exterminate kin just wasn't on the radar.  The Mayan preferred gathering around mugs of thick as fragrant liquefied cocoa, holding late night oral poetic 'slams' in what would become the first unrevised drafts of Popol Vuh.  

All's well.  Until a certain man's bullet.  Not the man, now.  But his bullet.  These aforementioned societies are not to be eroticized-idealized nor were they utopian or romantic archetypes under smoothest egalitarian 'groove'.  Still, their warfare had yet to conceive of mechanisms optimizing carnage, ensuring mass fatalities.  Like double-barrel bayonet pistols.  Cannon balls.  Atomic bombs.  Or Facebook.

This brings us to the cheesy as cherished eighties' motion picture, Last Dragon, produced by Motown's founder, Berry Gordy, and written by Louis Venosta.  Venosta's 'journeying hero' is ('Bruce') Leroy Green who trains - with only the utmost dedication/discipline - his whole life.  It is not, however, Sho' 'Nuff that he must conquer.  Acquiring "The Glow" will not save him.  All is for naught in that moment that Kew Garden's gangster, Eddie Arkadian, shoots his gun.  Might it be argued that martial arts encouraged sum'in essential within Leroy, laying the foundation upon which he develops the miraculous skill of bullet-catching-via-incisors?  Granted.  The film opens to a scene in progress.  Unaware of his own mastery, Leroy instinctively identifies the blue arrow.  How?

"Leroy, you KNEW without knowing."  


Again though, it is neither the finale's Sho' 'Nuff show-down nor gift of 'glowing' that measures the protagonist's craft.  These aspired accomplishments - in isolation - oddly beckon certain death.  No matter how sincere the sanctuary we diligently create, our insular quest, albeit sacred, is surrounded by a panoramic view of an oft polluted reality.

© 1985  Motown 
[thelastdragontribute.com]

In the end?  All about the bullet.

Silicon Valley's anemic idea of a commerce 'disruptor' pales miserably in comparison to ('Bruce') Leroy's swift act of Liberation.  A cultural coup, universal service, and millisecond-ed rebellion.  What qualifies as more disruptive to supremacist (metastasized capitalist) order than halting the lethal tool of 'the man's' trajectory, i. e., implied historical systemic dynamics of oppression - glaring - in the critically current gulf of inequality?  Smoking gun clocked in its structural tracks.  With Master Green's teeth. 

All's not at all well.  Until teeth catch that bullet.  Now is the time for a (hu)man.

We can educate ourselves at the highest levels, achieve human feats unparalleled, and we can meditate our way to some notion of enlightenment.  We can nobly endeavor and charitably inspire - birthing movements.  Momentum can build, carrying us towards the ideal experience: a semblance of fruition thru success.  But if we cannot "catch bullets with our teeth", there is an inevitability to our demise.  And yet, pray, dear reader, lower not thy head with downcast discouraged eye.  Perchance a quote - dōjō advice to Leroy - from that blue arrow opening scene in Last Dragon shall betta suffice to lift thy chin:

"What you seek is not written on the floor." 

Leroy Green or Bruce Leroy? Which Leroy Are YOU? | #IAMTHEMASTER | The Last Dragon Tribute
© 1985  Motown 
[thelastdragontribute.com]


Thence?  "Eye on" inferred as elusive "prize".  Ay, onwards.  Past the thickest fog obscuring some promise of a horizon.  Albeit Sisyphean bouldered (or bulleted), quest on...quest eva.  For it is in the great quest that we...well, we...keep close...to...sum'in...and...yada, yada, yada...


a clever as compassionate critique 
on the implausibility 
of POSTness

© 2020 KM Fikes 
© 2020 h2omeloncholy@blogspot.com 

Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.

Monday, February 17, 2020

South Carolina or Bust! (Busta Melon)


VOGUE copyright Conde Nast
© 2020 h2omeloncholy@blogspot.com
© 2020 KM Fikes

Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.


wood cut blocks illustration, Scholastic Books © 1963 Susan Blair


The Three Billy Donkeys Daft: a NORWEGIAN Fairytale
Once Upon a South Carolina Road Trip

Once upon a time, there were three billy donkey siblings. They all shared the same name: Daft.  The Dafts came in three sizes: plucky long-shot, centrist-standard, and populist juggernaut-alternative.

Grazing at their leisure, the billy donkeys lived in ambiguous harmony.  Until one day, a buzzard named Monsanto buzzed and buzzed about until the grass, upon which their founding fathers pillaged and plundered and their twentieth-cent ancestors gentrified, had become too toxic for even them to consume.

The three siblings had heard of terms such as 'displacement' and 'climate refugee' - likely from pizzly bears, that rare ursid hybrid when polar bears and grizzlies do indeed breed.  The three billy donkeys were also about to embark upon the perils of forced migration.

O'er yon was another meadow of promising prospects. Lush as inviting. An emerald carpet like green velvet lining a South Carolinian church pew.

The buzzards, apparently, had yet to rally.

And so? Into that horizon of hope, the first billy donkey, being ever plucky, set out – to merely survive. And lo! His flee from cooperate-environmental decimation was interrupted. A babbling brook began to roar. The road to the meadow of delegate abundance found the smallest billy donkey upon a rickety bridge.  Clip, clop...clip, clop.  His hooves announced him, echoing each weary step far into the field of representatively-diverse asylum.

The bridge had been occupied by a troll. During his reign of terror, the troll had fantasized about retrofitting the stolen bridge with a wall upon either ledge. His wall was the antithesis of a romantic covered bridge in nostalgic barnyard red. In the void that served as the mind of this troll, his imaginary wall was, “The most beautifulest wall you've ever seen. Never before...such a wall's been great as this...no where in the world. The biggest. The best of the best.  Like none.  The very, very winningest...of all...walls." 

Unlike the bridge, the wall remained a troll's delusion.

The troll could fright upon sight. His skin was that of emergency-alert-code orange, his necktie was as long as the lies upon his tongue and his hands were as tiny as his conscience. Many instinctively looked away.  Grand Ol' P. elephants, however, who starred - bargaining Faustianly - into the abyss, were turned into a sort of stone where their tusks were mummified.  Alas, zombies incapable of speech against him.

Daft, the plucky long-shot, tried to hide his trembling before the troll.

“You there. I need a map to the polka dots. Present me with it or you're fired,” the troll snarled.

“Fired?” Still stiffening his shivering, “But I don't work for you.”

“You won't see a blade of grass, loser. You could...” The troll paused, looking over both shoulders, “...go thru some things. Unless...you do me this favor...with the polka dots.”

“I don't know much about them. When I was mayor, I fired their first polka dot police chief and fire chief. Under my tenure, marijuana arrests, amongst polka dots, soared. But that was my strategy to target their gangs. A few of their leaders agreed to read my Douglas Plan yet stipulated that a nod towards my policy proposals equated no endorsement. I ignored that request and publicly framed their Douglas approval as candidate endorsement anyway. I know so few that my campaign used a stock photo from not America, but the Polka Dot Diaspora, to suggest I'm more inclusive. But there's another billy donkey behind me. She's my sister and has damned the polka dots - maybe even more than me.”

“He better have..."  

"She."

"She...um, bad news.  'She' better have.  Cross then,” the troll burped.

The first Billy Donkey Daft was free.

Sure enough, in good time, along came the centrist-standard donkey. And as promised, more seasoned. Clonk, clunk...clonk, clunk.  The troll raised his voice to try and mask his fart.  “You think you can just keep going? Across my bridge? What do you know of the polka dots?”

“I know two names well. Tyesha Edwards, an 11-year-old murder victim whose tragedy I donned as a saddle upon which my 'tough-on-crime' bona fides might ride. And then there's teen, Myon Burrell, whom I allowed to take the fall for Edwards in a woefully inept prosecution. When his mother died in a car accident, I repeatedly denied the under-age Burrell permission to attend her services. The polka dots are handing me no key. But one who may have it? He's right behind me.”

“If he can't do more for me? I'll...”

Daft's eyes roll, “You'll what? Lemme guess, I could, uh, 'go thru some things'?”

“You're a nasty piece of work. Be gone.”

The second Billy Donkey Daft was free.

As promised, the third billy donkey approached. As described, he appeared more substantial with the bonus of volunteering incredulous credentials before his hooves could be detected: “I don't just know 'em. I'm practically an honorary polka dot. I’m their Daft and they're my firewall.”

“D’ya say ‘wall’? Get 'em to pay for it?”

“Polka dot loyalty is my reward for…”

“For what?" wheezed the troll. "Take that low-IQ...Anita Hill?” His nasal inflection becoming more prominent, “That '94 crime bill? Making Delaware a credit card company’s wet dream?  Weren't those some of the gingerbready crumbs leading to the foreclosed doors of 2008 subprimes?  The segregationist footsie before that?”

“Barack Obama would not have chosen...”

“Yeah, yeah," snorted the troll, "Well, I do the opposite of anything he did. C'mon, that's my shtick. You, Daft, and that kid can pass. That Hunter of yours? Tell him not to hem n' haw.  Get it?  Hem?  Haw?  'Hee Haw', right?  'Hee Haw'...cause...you're..."

"Uh...donkeys...yeah."

"Cause in my pasture, you're no 'hunter' unless you shoot on sight.  Don't even think about it; don't think at all."


“Look, the fact of the matter is: you hijacked this bridge. But that’s it. Beyond that, the whole pasture…”

“Will be mine. It’s green; it’s land."

"Not a dung-hole territory."

"Get outta here, Sleepy…scoot.  Go take a nap.”

The third Billy Donkey Daft?  Yep, free.

The troll slumped under his wall-less bridge, slouched over his phone, and his puny, code-orange fingers began to incoherently tweet.  Briefly, he confused his punchy typing with the soft hooves of another billy donkey.  TIP$, tap...TIP$, tap.  Smaller in physical stature than the last three billy donkeys yet with what appeared to be a gargantuan pouch - seen more commonly on kangaroos or wine-cave dwellers.

“Humph,” the troll sniveled, "Only supposed to be three of you Dafts."

"We're quasi-estranged.  They act like I don’t do my fair share."

"Sounds divisive.  Rifts are my 'raft'...copycat. Haven't seen you, kitty, since New York. So...what about the polka dots?”

“My Stop-and-Frisk policy is in the past. Yet certain civil rights violations can still follow a loose logic: Smoke?  Maybe fire.  'Broken window'?  Eh...  And redlining?  It actually held a hidden wisdom too.”

The latest billy donkey and petulant troll were startled by a mighty clomp, jarring stomp, and ear-splitting neighing that shook the bridge with such a force that the populist juggernaut-alternative slipped into the stream. He recovered enough to barely float himself upon the primary shore.  The pouch, apparently, could inflate.

Before the troll was a creature of your yore...your, a hybrid akin to the prizzly bear. Parentage? Billy Donkey + Internet Troll = Satyr/Pan/your garden-variety faun (with all Greek n' Roman mythic implications).

“You're...you're..."  The pure-bred troll soiled his bespoke Brioni trousers.  "Heard of you, yeah. But no one's actually seen you. Not before me. You're...one of those...oh...Bernie Bros.”

The neighing of the creature reached a pitch – somewhere betwixt feverish and chilling,  “Look away, MAGA bib, lest you dare to MAGsplain us."

“I've seen your work on the dark web; you really should be on my team. But all I wanna  know now is what you know about the polka dots.”

“We don't see pattern. You’re Harlequin patch-checkerboard? Hell, herringbone! Whatever. We’re pattern-blind, see. Like your wall, we just keep telling ourselves that. We’re post-pattern and besides, anything repeated enough? Well, at least on the net, it’s bound to circle the drain of truth. And as far as the 'misogyny' charge? Who's she anyway?  We searched Reddit and doubt Miss AhJenny is even real. What we do know? Us half-billy donkeys dig bitches. As far as you?”

“What about [sniff] me?”

“You're an insult to trolls.  Have ya any idea how hard that is to be?  You’re some con of a gate keeper, let alone a bridge.” 

And upon hearing those words spoken directly into the face of the troll, he dropped to the green earth, curling into an unnervingly tight fetal position.
Yawning, the Bernie Bro unfurls the troll's vainglorious necktie, wrapping it around n' round n’ round his orange arse like a ball of yarn. He pauses long. Inexplicably, a wind of empathy sweeps up both in a mystical intimacy of shared toxic masculine privilege. The new lines of the 'yarn' ball mimic the age-old creases of Bro's palm. Satyr Bern sighs, cradling the Brioni 'yarn' ball before hurling it(him) downstream, directly over a Monsanto-contaminated waterfall, into the River Styx.  There, a Sphynx pussyfeline rescues it(him).  

The Sphynx bounces the ball back n' forth in her paws. For all eternity. 

Henceforth, the Billy Donkeys Daft - plucky long-shot, centrist-standard, and populist juggernaut-alternative - all got over.  How they crissed and how they 'crossed' the troll's bridge, exploiting and appropriating the fraught as dire narrative of passage.  With nary a polka-dotted clue - peaceful as piteous - they graze.  

And they grazed obliviously ever after.

The Three Billy Goats Gruff is a NORWEGIAN fairytale, first collected by Peter Christen Asbjørnsen and Jørgen Moe in their Norske Folkeeventyr - initially published mid-1840's.




a clever as compassionate critique 
on the implausibility 
of POSTness

© 2020 KM Fikes 
© 2020 h2omeloncholy@blogspot.com 

Unauthorized use and/or duplication of this material without express and written permission from KM Fikes is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to KM Fikes & h2omeloncholy@blogspot.com with appropriate and specific direction to the original content.  No excerpt or link may be used for monetary compensation.